Sample Format of Heading and Body of an Abstract
Title of Project/Presentation* Joe M. Smith, Some University** Mentor: Mary J.
Wilson, Department of Knowledge, Some University***
Abstracts must include sufficient information for reviewers to judge the nature and significance
of the topic, the adequacy of the investigative strategy, the nature of the results, and the
conclusions. The abstract should summarize the substantive results of the work and not merely list
topics to be discussed. An abstract is an outline/brief summary of your paper and your whole
project. It should have an intro, body and conclusion. It is a well-developed paragraph, should be
exact in wording, and must be understandable to a wide audience. It highlights major points of the
content and answers why your work is important, what was your purpose, how you went about your
project, what you learned, and what you concluded.
[Abstracts should be no more than 250 words, formatted in Microsoft Word, and single-spaced,
using size 12 Times New Roman font.]
* If your title includes scientific notation, Greek letters, bold, italics, or
other special characters/symbols, make sure they appear correctly here in Microsoft Word.
** Include additional undergraduate co-authors, whether they are presenting or not
presenting, if applicable.
*** Include additional faculty mentors, if applicable.
Sample Abstracts in Different Disciplines
Humanities
The Function of Depravity in the Multiple Pasts of Nightwood Rachel F. Tusler,
Occidental College Mentor: Martha Ronk, Department of English and Comparative Literary
Studies, Occidental College
Djuna Barnes' experimental modernist novel, Nightwood, depicts characters who are variously
drunken, bestial, and obscene. In the world of Nightwood, depravity is valued over the civilized as
a means of accessing the past. This essay identifies three separate "pasts": the historical, the
developmental, and the evolutionary, all in operation within the characters. The historical past
refers to events taking place before the individuals' births but after the evolutionary shift from
early animals to present-day humans, such as Felix's past as a Jew in Roman times. The developmental
past concerns the early stages in individual life, primarily childhood. The evolutionary past refers
to the precultural period, which in Nightwood primarily concerns early humans as animals or beasts.
The separate pasts are all repeatedly described as degenerate, violent and primitive. The characters
that embrace depravity, such as Doctor O'Connor and Robin, are embracing the nature of their
historical, evolutionary, and developmental pasts. Once they recognize where they have come from,
they attain a sense of their current position, as well as an ability to simultaneously exist in
previous times.
Science
Tolerance to the Ataxic Effect of Alcohol in Rats Selectively Bred for Saccharin Intake
Cheryl Prigodich, Occidental College Mentor: Nancy Dess, Department of Psychology, Occidental College
Consumption of sweets correlates positively with alcohol consumption; alcoholic men prefer
stronger sweet solutions than do nonalcoholic men and alcohol-preferring rats consume sweet solutions
far beyond the limits of their normal fluid intake. Similarly, Occidental’s high saccharin-consuming
rats (HiS) prefer alcohol more than do those selectively bred for low saccharin intake (LoS).
Interestingly, however, LoS rats show stronger alcohol withdrawal than HiS rats.
Withdrawal is often used as a proxy of alcohol tolerance—with severe withdrawal implying that
tolerance to alcohol’s effects has developed—but measures of withdrawal do not directly index
tolerance. Tolerance has not yet been studied in these rats. The present study examined tolerance
directly in order to test the prediction that alcohol-experienced LoS rats would be more tolerant
than HiS counterparts. Tests of ataxia, specifically the tilt-plane test, are frequently used as
behavioral indexes of intoxication; thus, tolerance was tested using the tilt-plane, as well as the
balance beam and horizontal ladder tests of coordination. Preliminary results (n=24) have yielded
that HiS and LoS rats do not show significantly different levels of tolerance to a challenge dose of
alcohol (1.5g/kg of 15% EtOH). Main effects of alcohol and saccharin on the tilt-plane apparatus
could yield significant p-values with the addition of more rats.
Social Sciences
Feminist Ethics and the Degree of Bureaucratic Organization in Asian Pacific Islander Women's Shelters in Los Angeles
Suzanne Im, Occidental College Mentor: Maryanne Horowitz, Department of History, Occidental College
This study opens up a discussion of the feminist ethics of Asian Pacific Islander (API) women who
are involved in the battered women's movement, based on their occupation within domestic violence
agencies. Additionally, there is an examination of the manner in which these ethics are reflected
in each respective organizational structure. Central to the research is the understanding that
feminist organizational qualities are not simply limited to "collectivism versus bureaucracy". In
not limiting the scope of analysis, the recognition that feminism as an identity is a malleable and
varied construct is integrated. The research is based upon in-depth interviews with four women from
three domestic violence shelters in the Los Angeles County. As can be concluded from the sample,
the API battered women's movement is characterized by fluid factors such as personalities, time
commitment, and a general desire to address the problem of domestic violence rather than an
unequivocal commitment to any well-defined political philosophy. Also, within the shelters
there evidently has not been a transformation from a principally collectivist grassroots
structure toward a bureaucratic practice. Rather, a complement of collectivist and bureaucratic
approaches effectively responds to changing internal and external dynamics.
Studio Art
Water Soluble Colorants On Porcelain Jennifer L. Brant Mentor: Dr. Charles
Olson
In the ceramic work of Scandinavian artist, Arne Ase, water-soluble materials such as titanium
sulphate, cobalt chloride, tungsten oxide, molybdenum chloride, and selenium chloride are utilized
as decorative elements on his porcelain forms. Such chemicals are not of common use in the ceramic
arts because of the expense of the raw materials and the possible hazards of working with these
chemicals. However, these colorants can create subtle yet breathtaking effects, including hues of
black, blue, yellow, or pink, that blend with the surface of the clay, as if the porcelain vessel
were a watercolor painting. It is his research, which I have expanded upon and integrated into my
own ceramic work. Additional colorants have been tested, including iron sulphate, cobalt sulphate,
and copper sulphate. A different firing atmosphere has been incorporated in the research, as well as
two porcelain bodies, to expand the palette of colors that can be obtained. The most successful test
results have been applied to my porcelain forms, which include a wide variety of functional objects,
in order to contribute to my ongoing exploration of personal expression through the medium of
clay.
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